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Adhurs (2010) - 1CD - Best Print - CAM RIP - X264 - AAC - Full Movie {RS/HF}

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Cast: Jr. NTR, Jr. NTR, Nayantara, Sheela, Bhramanandam and MORE
Genre: Action/Comedy
Music: DSP
Producer:V.Vamsi mohan
Direction: V.V.Vinayak
Release Date: 2010
Review: N/A


Container: MP4
Rip Size:  698  MB 
 
Resolution: 540 x 272
Run Time: 2:24:59 (Full Movie)
Sample: N/A

Video Codec: X264 @ 611 kbps
Frame Rate:  25.000 fps

Audio Format: AAC 64 kbps 
Subtitles:  N/A






















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0 Adurs Movie Review By Moviemantra

Movie Mantra


PRESENTS





Panchekattu Chari



Verdict: Can be watched once, recommended









Rating: 3.5/5






Punchline: panchekattu chari

Genre: Comedy/Action

Type: Straight

Banner: Vaishnavi Arts Pvt Ltd

Music: Devi Sri Prasad

Cinematography: Chota K Naidu

Story - dialogues: Kona Venkat

Art: Anand Sai


Fights: Stun Siva - Ram Lakshman

Editing: Gowtam Raju

Screenplay - direction: VV Vinayak

Presents: Kodali Venkateswara Rao (Nani)

Producer: Vallabhaneni Vamsi Mohan

Release date: 13 January 2010

Cast: NTR, Nayana Tara, Shela, Brahmanandam, Asish Vidyardhi, Mahesh Manjrekar, Sayaji Shinde, Tanikella Bharani, Raghu Babu, Raghu Karumanchi, Rama Prabha, Kondavalasa, Rajyalakshmi etc

Theater watched: Prasads (screen 2), Hyderabad






Review



Story



saleem This is the story of twins who get separated at birth. Narasimha (NTR) gets raised by a single mother and he becomes an undercover agent to a top cop. Chari (NTR) is brought up by a family of traditional Hindu priests. A gang of baddies (Asish Vidyardhi and Mahesh Manjrekar) are in search of the family of a top scientist. The rest of the story is about the relationship between the scientist and the twins and the comedy

generated by switching between the characters.





Artists Performance

Adurs NTR: NTR donned two roles. He is extremely entertaining as Chari with Brahmin diction. He generated lots of comedy when he says ‘naakesaru’ repeatedly in the movie. His character as Narasimha is more like extension of his Kantri character (both looks and mannerisms). His dances are amazing and give you a mass kick in the title song that comes before climax.






Others

Brahmanandam hogs the limelight again in this movie as a Hindu priest who ‘maintains’ the family of Nayana Tara. Brahmanandam has lots of footage and he in combination of NTR makes sure that there is enough entertainment

.Nayana Tara is paired up with Chari character and she is pretty good. Sheela is glamorous and she is paired with Narasimha character. Mahesh Manjrekar is wasted due to poor characterization. Nassar, Sayaji Shinde and Asish Vidyardhi are alright.




Technical departments



AdursStory - screenplay - direction: Story given by Kona Venkat is contrived. It is an old-fashioned formulaic story of twins which had been presented to us umpteen number of times (Don, Rowdy Alludu, Mugguru Monagallu, Hello Brother etc). The scientist father angle is inspired by Krishh. The undercover agent had The Departed/Pokiri shades. Screenplay by VV Vinayak should have been better. VV Vinayak who brings emotion into his action films couldn’t do justice to mass character in Adurs. The action sequences and emotion involved in it is not properly established. However, VV Vinayak seems to have acquired a knack for getting his comedy timing well since his last film Krishna. The characterization he has done for Chari character deserves applause. I liked the ‘atma’ (mummy) twist given to Brahmanandam character in the second half. The second half and climax needs a lot of improvement.





Other departments

The numbers scored by Devi Sri Prasad are just okay. My personal favourites are ‘where is the panchekattu’ followed by title song. Cinematography by Chota K Naidu is alright. Dialogues by Kona Venkat are good in parts. Editing and other post-production activities should have been better. The graphics work done in this movie is sub-standard compared to big hero projects. Producer Vamsi has spent good amount of money in the movie, but it is not converted into the final product. There is no slickness in visuals and sound.





Analysis

First half of the movie is okay with some nice entertainment by NTR (Chari character) and Bramanandam. The second half of the movie where the real crux lies is not constructed well. The three serious villains (Sayaji Shinde, Asish Vidyardhi & Mahesh Manjrekar) of the movie conspire in the second half only to transform themseleves into comedy villains. The climax should have been better. Plus point of the movie is comedy by Chari character. The story and screenplay are the weaklings. VV Vinayak should have concentrated more on Narasimha character to get the balance in terms of emotion and action orientation. We have to wait and see how the masses receive it.




The plot

Jr. NTR plays a dual role in the film – that of a Brahmin Chari and another as Narasimha, a daredevil young man who is interested in becoming a police officer. Narasimha works for a top cop Sayaji Shinde and helps him in eliminating gangsters in the city.

The Brahmin guy Chari is a disciple of Bhattu (Brahmanandam). They both make a living by performing pujas and other religious ceremonies. Bhattu is almost 50 years old but he fancies himself as a young man and he runs after the young and beautiful Chandu (Nayanatara). He wants to marry Chandu and so requests Chari to help him in the matter.

However Chandu has other ideas. She falls in love with Chari and asks him to marry him. Bhattu is angry and he wants to take revenge on Chari for backstabbing him in the love matter.

Narasimha and Chari are separated at birth but meet later in Calcutta. The evil gangster Baba (Mahesh Manjrekar) promises the army Major Nazar that he will unite him with his family as soon as he completes his mission of developing the missile.

Sayaji Shinde’s daughter Indu (Sheela) is in love with Narasimha. Baba brings Narasimha to Calcutta to show Nazar that has family is safe. Bhattu who wants to take revenge on Chari plans to eliminate him after he is taken to Calcutta by the gangsters.

The rest of the film is about confused identities and the fight of Narasimha to save his father from the faraway island.





The actors



Jr. NTR lives up to the expectations of his fans with superb dances, fights and acting kills. He is good in both the roles. There are however no lengthy trademark Jr. NTR dialogues in the film that he is so famous for.

Brahmanadam appears in a very meaty role and hogs the screen presence almost on par with Jr. NTR. He manages to tickle the funky bone. He gets good support from Jr. NTR, MS Narayana, Mahesh Manjrekar and others.

Nayanatara is hot and Sheela is hotter. The two heroines between themselves fill in the glamour department perfectly.

The bottom line:

Adhurs has good music by Devi Sree, some stunning dance movements by Jr. NTR, enough fights to please the front benchers. It is only the story that is weak. There is no novelty whatsoever in the story and it only Jr. NTR who makes the film interesting.

The title Adhurs applies just to Jr. NTR, the rest of the film is just average. VV Vinayak has put in a lot of effort but it somehow falls short of expectations and all the pre-release hype surrounding the film.





cinema racha undi...



comedy keko keka....



dance cheppakkarledu...



bramhi...and ntr chary comedy kevvu keka



ntr chary ga chinchi padesadu...



story antu peddaga emi ledu motham comedy tho fast ga vellipoyindi movie



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0 3 IDIOTS Review


Cast: Aamir Khan, Kareena Kapoor, R Madhavan, Sharman Joshi, Boman Irani
Screenplay: Vidhu Vinod Chopra, Rajkumar Hirani & Abhijit Joshi
Story - dialogues: Rajkumar Hirani & Abhijit Joshi
Director: Rajkumar Hirani
Producer: Vidhu Vinod Chopra
Music: Shantanu Moitra
Cinematography: C.K. Muraleedharan
Editing: Ranjeet Bahadur & Rajkumar Hirani
Release date: 25 December 2009

RATING:

Movie Review:

Life is all about listening to your heart and chasing your dreams. That's the essence of 3 IDIOTS, directed by the supremely talented Rajkumar Hirani. Let me come to the point right away. There are films and there are more films. And then there's 3 IDIOTS.

Come to think of it, 3 IDIOTS carries a huge 'burden' on its shoulders: The 'burden' of humungous expectations. And it's not without reasons...

# 3 IDIOTS is Aamir's next release after the record-breaker GHAJINI.

# 3 IDIOTS is Rajkumar Hirani and Vidhu Vinod Chopra's third film together, after MUNNABHAI MBBS and LAGE RAHO MUNNABHAI, landmark films.

# Three actors from the path-breaking RANG DE BASANTI team - Aamir, Madhavan and Sharman - team up yet again. Plus, Aamir's teaming up with Hirani. It couldn't get bigger!


3 IDIOTS is over-hyped and that could be dangerous for any film since it's the expectations which kill a film if the content doesn't match up to the hype. In this case, all izz well!

Now let's demystify the myths...
3 IDIOTS is not about idiots or nincompoops. It's about three engineering students who believe in 'I'll Do It On my Terms' and that's what the three characters achieve in life and that's what Hirani, Chopra, Aamir eventually achieve at the end of the movie. Making a movie on their terms!

One more thing! You cannot draw parallels with any other film, past or present, successful or unsuccessful. And though people may draw parallels with GHAJINI or the MUNNABHAI series, it would be sacrilege to do so. 3 IDIOTS [based on a novel 'Five Point Someone' by Chetan Bhagat] doesn't tilt, it stands tall.

Here's yet another illusion: 3 IDIOTS belongs to Aamir Khan. Yes, it does, but also to R. Madhavan, Sharman Joshi, Boman Irani, Kareena Kapoor and Omi, the entrant in Hindi movies, who delivers an equally sterling performance. The film would be incomplete without any of these characters.

To cut a long story short, all you'd like to say about the film is, All izz very, very, very, very, very well. Watch this film to know what it means!

Two friends [R. Madhavan and Sharman Joshi] embark on a quest for a lost buddy. As they make their way through the perilous landscape [Shimla, Manali, Ladakh], another journey begins: their inner journey through memory lane and the story of their friend - the irrepressible free-thinker Rancho [Aamir Khan], who, in his unique way, touched and changed their lives.

It's a story of their hostel days that swings between Rancho's romance with the spirited Pia [Kareena Kapoor] and his clash with and oppressive mentor, Viru Sahastrabudhhe [Boman Irani]. And then one day, suddenly, Rancho vanishes...

Who was he? Where did he come from? Why did he leave? The friend who influenced and inspired them to think creatively and independently, even as the conformist world called them three idiots. Where is the original idiot now?

Hirani is a genius and that has been proved twice in the past. He proves it for the third time with 3 IDIOTS. Screenplay writers Hirani and Abhijat Joshi and screenplay associate Vidhu Vinod Chopra narrate a story that's straight out of life. A story that each one of us can relate to or identify with.

Very often, we've read news-reports of students committing suicides because they've to live up to the family's pressure/expectations. This film depicts it at the very start, when a student commits suicide. But the issue doesn't end there, for 3 IDIOTS raises a pertinent question: Was it suicide or murder?

Hirani balances the rough and smooth incidents in their lives beautifully. The sequences in the campus, right from the ragging sequence at the start, to Omi's speech when the word 'chamatkaar' is changed to 'balatkaar' [superb; will bring the house down], to the trio getting caught in an embarrassing situation at the reception of Kareena's sister [Mona Singh], to the dinner sequence at Sharman's house, to Kareena and Aamir driving Sharman's seriously ill father on their bike to the hospital... the funny moments would make your jaws ache.

The interval point is a shocker. The point at which the first half ends will leave you stunned. Now what was that? Kahani mein twist!

The mystery is solved soon after the intermission ends and a new journey begins. That's one of the USPs of the film. Just when you think that the story would be solved, a new story begins. Of course, the pace dips slightly in its second hour, especially during the delivery sequence of Mona [which may appear filmy to a few], but the immediate sequence, when the baby boy is born and also the subsequent sequence between Boman and Aamir bring the film back on track. The culmination to the film is novel and yes, it's a master stroke from the writing point of view!

Every person behind the camera gives his/her best to the film. Hirani and Joshi's screenplay is the mainstay of the film. If you fondly recall 'Gandhigiri' from their previous film LAGE RAHO MUNNABHAI, you'd have a new phrase to chew on this time: 'All Izz Well'. Muraleedharan C.K.'s cinematography is awesome. Note the aerial view at the very start, when Madhavan and Sharman begin the journey to Shimla or the picture perfect look of Ladakh... the DoP does a magnificent job.

Shantanu Moitra's music may sound plain ordinary to ears, but when viewed on screen, the score is just perfect. 'Give Me Some Sunshine', 'All Is Well', 'Zoobie Doobie' are three tracks that would grow on you after you've watched the film. The choreography of 'All Izz Well' [Avit Dias] and 'Zoobie Doobie' [Bosco-Caesar] are eye-catching. The background score [Sanjay Wandrekar, Atul Raninga, Shantanu Moitra] is right.

3 IDIOTS belongs to everyone. But, yes, there's no denying that Aamir makes you forget all his past achievements as you watch the amazing actor play Rancho. To state that this ranks amongst his finest works would be an understatement. Madhavan is incredible, especially in the sequence when he explains his point of view to his father [Pareekshit Sahani]. Sharman is outstanding from start to end. This was a difficult role to portray and only an actor of calibre could've pulled it off. Boman is superb as the vicious head of the institute. The scenes between Aamir and Boman are extra-ordinary and it's a treat to watch these two powerful actors clash on the big screen, without getting overdramatic. Boman's appearance, mannerisms and dialogue delivery are exemplary.

The length of Kareena's role may not be as much as Aamir, Madhavan and Sharman, but she registers a strong impact nonetheless. Omi is excellent and the viewers are sure to love his acidic tongue and gestures in the movie. Mona Singh doesn't get much scope. Jaaved Jaffery is competent. Pareekshit Sahani is decent.

On the whole, 3 IDIOTS easily ranks amongst Aamir, Rajkumar Hirani and Vidhu Vinod Chopra's finest films. Do yourself and your family a favour: Watch 3 IDIOTS. It's emotional, it's entertaining, it's enlightening. The film has tremendous youth appeal and feel-good factor to work in a big way.

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